Elizabeth L. Enriquez
Enriquez, Elizabeth L. “Iginiit na Himig sa Himpapawid: Musikang Filipino sa Radyo sa Panahon ng Kolonyalismong Amerikano,” Plaridel: A Journal of Philippine Communication, Media and Society, Vol 20:1, 2023.
Citra Aryandari
Aryandari, Citra. (2022) “Jaap Kunst Legacy: Site of Remembering, Forgetting and History Making”. Resital: Journal of Performing Arts 23, no. 3 (pp. 160-168). https://doi.org/10.24821/resital.v23i3.7766. https://journal.isi.ac.id/index.php/resital/article/view/7766
Aryandari, Citra. (2022) “Vacation on the Grandma’s House.” In Proceeding Ipoh Music Symposium. ISBN: 978-967-17685-5-6
Aryandari, Citra (2024) “Performing vs. Recording: The Sound of Modern Bali.” In Religious Sounds Beyond the Global North: Senses, Media and Power, edited by Carola E. Lorea and Rosalind I.J. Hackett. Amsterdam: University of Amsterdam Press, https://doi.org/10.5117/9789463726160.
Cristina Juan
Juan, Maria Cristina. “The Terms of War and Bontoc Eulogy: Studies in Re-Narrativizing Archival Forms.” Southeast of Now: Directions in Contemporary and Modern Art in Asia, edited by Yvonne Low, vol. 3, no. 1, 2019, pp. 29-45.
Juan, Maria Cristina, and M. Farnazo. 2022. “A Blaan Kastulen: The Archive as a Site of Engagement.” A white paper report prepared as output for the 2022 SOAS AHRC Impact and Knowledge Exchange (IKE) Grant. Copy of report found here: https://philippinestudies.uk/mapping/blaan_in-conversation.
_________2023. “BUGKÓS: Source Cultures in Diaspora and the Rachel and Clare Tanner Collection.” A white paper report prepared as output for the 2023 SOAS AHRC Impact and Knowledge Exchange (IKE) Grant. Copy of report found here: https://philippinestudies.uk/mapping/bugkos.
_________ 2024. “Incidental Validations: Translating Pedro Manuel” in the 1762 British Invasion of Spanish-ruled Philippines: Beyond Imperial and National Imaginaries, edited by Maria Cristina Juan, pp157-160. Philippines: National Historical Commission of the Philippines. ISBN: 9789715383738
Gardika Gigih
(2023) “A Conversation with Gardika Gigih Pradipta.” https://www.asianculturalcouncil.org/about-acc/stories/a-conversation-with-gardika-gigih-pradipta
(2023) “Dari Gyros hingga Bozouki: Greek Festival, Brooklyn.” https://nymusicdiary.wordpress.com/
Gigih, Gardika. (2023). Study on multicultural collaboration in New York Music Scene. Asian Cultural Council Fellowship
Gigih, Gardika. (2019). Lost in Sounds: Southeast Asia – Japan Soundscape Research. The Japan Foundation. https://lostinsound.art/
Iva Mićanović
Mićanović, Iva. “Decolonizing Sound Archives: Tracing Agencies and Envisioning the Future of the Jaap Kunst Sound Collection.” (Unpublished MA Thesis), University of Amsterdam, forthcoming 2024.
Josephine Simonnot
Simonnot, J. (2023) Archives sonores et recherche, Séminaire de recherche du SATIS (Département Cinéma de AMU), Aubagne, France, septembre 2023
Simonnot, J. (2023) PRISM and cultural heritage on line, 2nd Polifonia Stakeholder Network meeting, Bologna, 17 October 2023
Simonnot, J. (2024) Les bases de données sonores : enjeux scientifiques et interdisciplinarité, Séminaire PRISM, Marseille, 17 mai 2024
Simonnot, J. (2024) Sound Archiving Workshop (training session) and Pratinada presentation, Fakultas Ilmu Sosial dan Ilmu Politik, Universitas Indonesia, 28 juin 2024, https://sharedocs.huma-num.fr/wl/?id=QN1dWQmhk9Mv9Jtoj5EOSdO5Qh3YEnsV
Layan Nijem
Nijem, Layan (2022). “Hearing Differently: An investigation of the Jaap Kunst Sound Collection as a Site of Colonial Entanglements” [Unpublished MA Thesis submitted to University of Amsterdam]
Pierre Prouteau
Ildefonso-Molin Fredrik and Prouteau Pierre (Rec. & Ed.), Nolten Stevie, Añonuevo Marla, Shah Azeem (2023), DeCoSEAS Podcast “Decolonizing Southeast Asian Sound Archives”
Prouteau Pierre (2022) “Tak tun tuang », low style and processional trucks – Ecosystem of a hit in Thailand” {in French} in Oliver, Emmanuelle (éd.), Cahiers d’Ethnomusicologie.
Prouteau Pierre (2022) “The sounds of the Three Worlds. From a Siamese modern-times cosmology to the contemporary Thai ritual soundspaces” {in French}, Péninsule
Prouteau Pierre (2022) “The Dual Fate of the Twin Horns – from United States anti-communist weapon to the Phetchabun processionnal bands’ sound system (Thailand)” {in English} in Haukamp, Hoene and Smith (Eds) Asian Sound Cultures – Voice, Noise, Sound, Technology, London: Routledge.
Prouteau Pierre (2021) “Buddhism, Bodies and Machines – the Sound Systems of Thailand” {in French} PhD Thesis, under the direction of Dana Rappoport and Sabine Trebinjac (Nanterre/EHESS, 2022 GIS Asia Thesis Award)
Sol Maris T. Trinidad
Trinidad, Sol Maris T. (2024) From Archive to Film: The Himig Himbing Lullaby Project of the Cultural Center of the Philippines in Proceedings of the ICTMD Study Group on the Performing Arts of Southeast Asia. Philippines. (Upcoming)
Stevie Nolten
Nolten, S. (2023) “Dekoloniseren van het archief”, wat is dat eigenlijk? Blog Nederlands Instituut voor Beeld & Geluid: https://www.beeldengeluid.nl/kennis/blog/dekoloniseren-van-het-archief-wat-dat-eigenlijk
LaVerne de la Peña
de la Peña, L. (2021) Re-sonating Voices, Sounds, and Memories: The Repatriation of 60-Year-Old Field Recordings from Sagada, Mountain Province in Northern Philippines in The Legacy of Indigenous Music Asian and European Perspectives. Yu-hsiu Lu, Oskar Elschek, editors. Springer, Singapore
Vincent Kuitenbrouwer
Kuitenbrouwer, Vincent. (2022). Dutch Speaking to Dutch. Broadcasts from the Netherlands to Indonesia during the Decolonization War (1945–1949). Journal of Radio & Audio Media, 29(1), 42-60 . https://doi.org/10.1080/19376529.2021.2023538 [details]
Zikri Rahman
Rahman, Z. (2022) Where are the people? People’s Theater in Inter-Asian Societies. Joyce C.H Liu, Qi Li, editors. NYCU Press, Taiwan: https://iccs.chss.nycu.edu.tw/en/publication.php?USN=85#:~:text=People%20theater%20in%20Inter%2DAsian,Hualien%2C%20Taichung%2C%20and%20Taipei.
Rahman, Z. (2019) “NO END NOR A BEGINNING – Of Transformative Spectatorship and Organizational Process of Becoming” in the SENSE and SENSIBILITY: Sensing and making sense of spectatorship and democracy in Southeast Asia’s artistic practice. Brigitta Isabella, editor. Arts Network Asia, Bangkok: https://spectatorship2019.wordpress.com/
Jähnichen, Gisa
Jähnichen, Gisa. (2024). Robinson in the Middle World Empire. Horizons of Art, 11: 69-78.
Barbara Titus
Titus, Barbara 2018. “The ‘attentively silent’ presence of Jaap Kunst in the Society for the History of Netherlands Music (VNM)”. Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis 68, 173–184.
_____. 2019. ‘Jaap Kunst dan Pentingnya Koleksi Musik Indonesia Miliknya’ in Melacak jejak Jaap Kunst: Suara dari Masa Lalu [Exhibition Catalogue 28 November 2019 – 10 January 2020] Jakarta: Museum Nasional.
_____. 2022. “Tracing Earlines in Ethnomusicology” in: Mark Delaere (ed.) Noise as Constructive Element in Music: Theoretical and Music-Analytical Perspectives. London [etc.]: Routledge (Musical Cultures of the Twentieth Century), 54–71.
_____. [forthcoming]. “Epistemic Shifts and Ideological Persistence: Ethnographic, Archival and Historiographical Practices in the Legacy of Jaap Kunst” in Henry Spiller & Anna Maria Busse Berger Missionaries, Anthropologists, and Music in the Indonesian Archipelago, Chapter 14. Berkeley: University of California Press.
Titus, Barbara & meLê yamomo 2021. “The Persistent Refrain of the Colonial Archival Logic/Colonial Entanglements and Sonic Transgressions: Sounding Out the Jaap Kunst Collection.” the world of music (new series) 10 (1), 39–70.
_____. 2024. “Rehearsing Decolonial Curatorship of Southeast Asian Sound Archives in Europe” in: Pepijn Brandon, Emma van Bijnen, Karwan Fatah-Black, Imara Limon, Wayne Modest & Margriet Schavemaker (eds) The Future of Dutch Colonial Past: Curating Heritage, Art and Activism. Amsterdam: Amsterdam University Press, 110–123.
meLê yamomo
yamomo, meLê and Barbara Titus. (2024) “Rehearsing Decolonial Curatorship of Southeast Asian Sound Archives in Europe” in The Future of the Dutch Colonial Past: Curating Heritage, Art and Activism, edited by Pepijn Brandon, Karwan Fatah-Black, Imara Limon, Wayne Modest & Margriet Schavemaker. Amsterdam University Press.
yamomo. m. (2024). La Sonoridad del Mundo en Manila del Siglo XIX: A Synesthetic Listening to Spanish Writings in 19th-Century Manila. In R. Ortuño Casanova & A. Gasquet (Eds.), Transnational Philippines: Cultural Encounters in Philippine Literature in Spanish (pp. 173–189). https://doi.org/10.3998/mpub.11959397
yamomo, m., & Beyer, T. (2023). Framing Europe. In C. Grüny & B. Farnsworth (Eds.), New Music and Institutional Critique (pp. 195–205). J.B. Metzler.
yamomo, meLê. (2022). Sonic Experiments of Postcolonial Democracy : Listening to Sonic Experiments of Postcolonial Democracy : Listening to José Maceda ’ s Udlot-udlot. Southeast of Now: Directions in Contemporary and Modern Art in Asia, 6(2), 133–146. https://muse.jhu.edu/pub/43/article/871494
yamomo, meLê and Barbara Titus. (2021) “The Persistent Refrain of the Colonial Archival Logic / Colonial Entanglements and Sonic Transgressions: Sounding Out the Jaap Kunst Collection” The World of Music 10, no. 1 (2021): 39-72.
yamomo, m. (2021). Acoustic Epistemologies and Early Sound Recordings in the Nusantara Region: Phonography, Archive, and the Birth of Ethnomusicology. In A. Johan & M. A. Santaella (Eds.), Made in Nusantara (pp. 75–82). Routledge.
yamomo, m. (2021). “Dissonant Intimacies: Disentangling the Colonial Sonus in Archives and Repertoires.” in Dynamische Traditionen: Globale Perspektiven auf zeitgenössische Musik. Eine Textsammlung zu Donaueschingen Global, illustrated by Marc Cosico. Edited by Elisa Erkelenz & Katja Heldt, 126-142. Donaueschingen: SWR.
yamomo, m. (2021). Review of: Hearing Southeast Asia: Sounds of Hierarchy and Power in Context, by Nathan Porath (ed.). Bijdragen Tot de Taal-, Land- En Volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia, 177(2–3), 439–441. https://doi.org/10.1163/22134379-17702013
yamomo, m. (2019). Review of: Popular Music in Southeast Asia: Banal Beats, Muted Histories, by Henk Schulte Nordholt, Bart Barendregt, and Peter Keppy (eds). Bijdragen Tot de Taal-, Land- En Volkenkunde, 175(1), 127–128. https://doi.org/10.1163/22134379-17501015